""Night pieces" contrasts sharply to Lou Tetis productions together with Jason Kriveloff as BGB or The Moves, where they mostly produce clashy house grooves using samples and synthesizers. Being BGB, Lou and Jason published works on Hamburgs Dessous Records, Coco Machete and Central Park Recordings.
With "Night Pieces" it's entirely different though. Those songs have been collected over the past few years, combining tracks where melodies originate from acoustic guitars but rhythmic bodies are created with electronic devices. With the guitar being his first instrument to learn 15 years ago, Lou has a special relation to this instrument, which is a rather intimate one as you might agree to after listening to this release.
Probably he turns off the mixing unit after his work as recording engineer, plays guitar and watches the sun setting and the night rising up. Later he adds an electronic sphere around his guitar sounds to make this atmosphere audible. Lou's intention is to give the listener a chance to stop by - and think.
The opener "Days by" feels like a warm summer evening where all of your friends are invited. Sit down and talk about the time spent together. This mood created by a warm floating bass is enhanced by the acoustic guitar which adds a loose feeling. The sun is sinking and it's still possible to feel the warmth of day.
Perhaps it's the last time to see your friends for a long time because you are moving to a new city. Remember the first night? You can't sleep and went out for a walk and put one foot in front of the other on and on again. Everything was completly new. You look around and the pictures directly float into your mind. Unfamiliar sounds fall into your ears and represent the contrast between the guitar and the low pitched bass. The noises echo on the walls like the drums "Stroll" uses. A few years later you move again. "Stoli Part 2" sounds like you went coincidently the same way you did the first time. You remember that first walk but this time it feels more homelike, with the landscape sound changing, these streets became a part of you.
In this town you lived you made a lot of new friends. One of them is walking besides you. You never imagined that this person would become a friend of you. But there were these little connections between each other. It's interesting to see how these points react and interweave to a net, where aspects are created and similarities kept. Just like the Arrial Remix to "Stoli Part 2". Lou and Arrial are connected to their favour of using acoustic guitars and combine it with electronic music. So Arrials Remix is the impression of an old friend who lives in the same city as you." (From the Autoplate's release page)

"A fresh artist hailing from the British Island is Arrial, whose demo arrived just about 6 weeks ago. His first release for Autoplate consists of three fine classic guitar songs mixed up with sparse, yet playful and effective electronic elements.
"I got my first spanish guitar at the age of 5. No idea what prompted me to want it but it's been my lifelong companion ever since - even through the years that it spent in its case gathering dust in the corner of an unused room while I fiddled around with synths, samplers and all that gubbins. Eventually I returned to where I started - the sounds of the spanish guitar. Realising that you don't need to spend hours looking for a brand new sound in the dark recesses of some complex sound module was an epiphany, and I haven't looked back since. I began recording guitar tunes, layer them, loop them, feed them through malfunctioning effects units and mix them up with various beats. There's no sound more beautiful than a freshly strung spanish guitar. I love to play the spanish guitar, I love to dance, I live in the city but dream of the sky and of the sea. I am always striving for the feeling of stillness that you get when you are underwater or when you are standing at the edge of a mountain. You can hear this in the tracks mixed in with the tension and claustrophobia inherent in living and working in a hyper-urban environment."
"Mar, Revisitar is a reworking of one of my first ever tracks - the first time I realised that you could write a good tune just with a classical guitar and a drum machine. It's completely pure without a single treatment of the guitar sounds at all. Elements of Chicane, Globo and Happy Mondays intertwine to evoke the insistent, gentle lapping of the sea at your feet in the night- time."
"Blank Holiday Monday originated in a melody I love to play and often makes my partner melt. It's about feeling dazed after a particularly heavy night and lying on a couch, or better still in a hammock, watching the day go by. When just thinking about the night before makes you smile and gives you palpitations and you crave just a few mouthfuls of curry. And then have to lie back down again."
"Shiver. That shivering sound comes from my mixer feeding back - maybe it's warning me off doing any more tracks verging on being rock ballads. Or maybe it was as excited by the melody as I am. Maybe the shiver is what happens when you are waiting for the night bus home. Or maybe it's that sigh and sudden rush of goosepimples you get when your lover strokes you with a feather."" (From the Autoplate's release page)